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During the early 1980s, James Cameron wrote three screenplays simultaneously: The Terminator, Aliens, and the
first draft of Rambo: First Blood Part II. While Cameron would continue with The
Terminator and with Aliens, Sylvester Stallone eventually took over the script
of Rambo: First Blood Part II, creating a final draft which differed radically
from Cameron's initial version. Cameron was credited for his screenplay in the
film's final credits. He wrote quite an interesting screenplay which
featured more depth than the first Rambo movie had had. He also wrote in a
sidekick to Rambo in order to make the screenplay more character driven. However
Sylvester Stallone, as he always does, rewrote the screenplay to fit his needs.
Most of what Cameron had written was left out.
Also, his original screenplay began with Col. Trautman finding Rambo in a
psychiatric hospital instead of a prison. When Cameron went to see the movie he felt odd. His only
comfort was the fact that the crowd cheered at the those action sequences he
recognized as his own.
Monsterland #13 October 1986 : "It was quite a different film from FIRST
BLOOD, apart from the continuation of the Rambo character. The first one was set
in a small town, it had a different social consciousness from the second one,
which was a very broad, stylized adventure. It was a little more violent in its
execution than I had in mind in the writing"
"I admire the film's
success and I'm happy for everybody involved, but I always have to distance
myself from it because it's not the film I wrote – it was substantially
rewritten by Sylvester Stallone. The script that I wrote was pretty violent, but
not in such an amoral way. (...) I know very little about Stallone, because my
work with him consisted of one lunch to discuss the script. He said, "I think
you should put a girl in it."" - Us Interview '91
Galactic Journal 1986: (Rambo
First Blood Part II) was eventually altered by its star in order to accommodate
his rightwing vision of the Vietnam conflict. Cameron's story focused more on
the character and the dilemmas he had to face as a man who has been shattered by
war. While Cameron does not want to totally disassociate himself from 'Rambo',
he does find the ending of the Stallone
vehicle "breathtaking in its stupidity" "
"(Rambo II) was written at a point when I had no money and was waiting to start
shooting T1. Basically I did it as a writing assignment to stay alive for six
months. To be honest I did that project because I felt First Blood was a pretty
good film. It walked a fine line - Rambo doesn't kill anybody, but he
disassembles almost an entire National Guard unit with snares and slings,
relying on cunning and ingenuity to outsmart them. The second film, the one I
wrote, was by its nature a little more violent because Rambo was going into
enemy territory, but I tried to walk the same line. He didn't go out of his way
to slaughter people just because they were wearing wrong uniform. A lot of moral
distinctions I tried to build into the script got carved away during the shoot.
I didn't want to attach myself to that film in a strong way because the end
result didn't represent what I wrote. It taught me the danger of writing
something over which I'd have no control once it was done, and I won't do that
again" (On Production magazine 1992)
Rambo: First Blood Part II (also
known as Rambo II or First Blood Part II in other countries), released on May
22, 1985, is the second movie in the Rambo series, starring Sylvester Stallone
as Vietnam veteran John Rambo. Picking up where the first
film left off, this sequel
is set in the context of the Vietnam War POW/MIA issue; it sees Rambo released
from prison by Federal order to document the possible existence of POWs in
Vietnam, under the belief that he will find nothing, thus enabling the
government to sweep the issue under the rug.
One of only two scenes that made
it from Cameron's script
Cameron, 1986's Starlog magazine:
"After Rambo, I'm not that
interested in making a film where people are running around shooting each other,
and getting into the moral complications of saying 'Well, just because they're
wearing a different uniform from another country, its OK, in order to feel
absolutely lily-white and clean about the havoc that's wrought on their bodies
by high velocity ballistic weapons"
The movie, which had a
then-enormous budget of $44 million, became a box-office success. Earning just
over $150 million in North America and just under that amount in the rest of the
world, it was the second most successful movie of 1985 in North America, behind
Back to the Future and just ahead of Rocky IV, giving Stallone two of three top
grossing movies of that year. This film captured the attention of President
Ronald Reagan and he lauded Stallone for portraying Rambo as a symbol of the
U.S. Army. Between the success of Rambo and Rocky, Stallone became not
only one of favorites for the R rated action audience, but at the same time a
hero of many high school and middle school boys in the 80's.Almost 30 years later, Rambo is still a household
name. Rambo quickly became a role
model to many children. Of course playing
"Rambo" could always end in injury.
A Los Angeles personal injury attorney can
assist you with any accident that
results in an injury.
While the movie was a
commercial success particularly with young male fans of
action films, it was reviled by critics. The film also had an impact on the
cultural landscape of the 1980s. When the film was released, the "political"
content of the movie was considered controversial. Many felt the Vietnam
conflict was "altered" to look and sound heroic. A newly-coined word
"Rambo-ism" became a descriptive of such a mentality. Cameron
commented that he only wrote the "action" and that Stallone wrote the
"politics". 1986' TIME Magazine wasn't complimentary of the movie
either: (James Cameron) finished the script on which Sylvester Stallone did
his usual devastating rewrite.
James Cameron, '86 TIME: "I recognize parts of it", Cameron says manfully, but
adds, " I was trying to create a semi-realistic, haunted character, the
quintessential Vietnam returnee, not a political statement".
the things that interested me is that there are a lot of soldiers from Vietnam,
who have been in intense combat situations, who re-enlisted to go back again.
Because they had these psychological problems that they had to work out. It's
like an inner demon to be exorcised.
I did a bit of that in Rambo, but it didn't get used." - Lofficier.com:
"Well, I came rather late to that. I actually thought the first one was a
pretty good film. That's what attracted me to the second one, the underdog
story. I was kind of fascinated by Vietnam at that point and what a weird and
surreal kind of war that was. So my approach to it was a lot heavier, a lot more
character. I just ran into Sly (Stallone) recently, and he was saying that when
he looks back on it -although he doesn't have any regrets, in a way he wished he
could have done the script that I wrote because they did wind up throwing out
about the first half of it. They kept a lot of the action. They just kind of
made it a "Mission Impossible" thing -for me it took on kind of a superhero-type
quality. I thought it was much more interesting to kind of explore this
traumatized character. Maybe I'll get to use that stuff somewhere else. I used a
bit of it in "Aliens," having them come back from something they were
traumatized by. There was a bit of that delayed stress syndrome stuff in
"Aliens" they didn't use in "Rambo II." - Hollywood Reporter 1986:
First Blood Part II was directed by George P. Cosmatos, who later directed
the movie Cobra with Sylvester Stallone and Brigitte Nielsen
Either way, the movie was the
most successful of the franchise, and also the only one that got an Academy
The movie also kickstarted the
franchise and made it a household name, with video games and countless
merchandise following, as well as an Animated series in 1986.
Read the original James
Cameron's script for Rambo II: The Mission
BLOOD PART II
Director: George P. Cosmatos
Writers: Sylvester Stallone and
Actors: Sylvester Stallone, Richard Crenna, Steven Berkoff, Julia Nickson-Soul
Producers: Buzz Feitshans, Mario Kassar, Andrew Vajna
Composer: Jerry Goldsmith
Release Date: May 22, 1985
Running Time: 94 min.
MPAA Rating: R Production Budget: $44,000,000
Opening Weekend: $20,176,217
Domestic Gross: $150,415,432